New York Studio School of Drawing, Painting & Sculpture

Absolutely phenomenal school with a wonderful MFA and certificate program. I was fortunate enough to do both and it was one of the greatest experiences of my life. The professors are open and willing to work with you and are there to answer any questions, the lecture program keeps you inspired, and the students are highly motivated.
I was able to get a great scholarship so that is was affordable and I will continue to go back for lectures as my career progresses. Financial aid is available and the school is willing to work with you if you are struggling with it. I haven’t had any issues with my accreditation and I have received several residencies and work positions without any issues.
I would highly suggest doing the drawing marathons. I have done over twelve throughout my career and they have helped me immensely with any artist block. They are a great way to get outside of your comfort zone. Regardless of what you do the studio school has people who will help you find your voice. They certainly helped me.

I got my MFA at the New York Studio School and I can honestly say it was one of the best experiences of my life. The school is so unique and special. The marathon classes are intensive two week drawing programs that break you out of your rut and teach you how to think in a new way. Dean Graham Nickson was an incredible teacher. I can’t even imagine who I would be without this school. Its molded me into a professional artist and motivated painter. At the school I honed my drawing skills, learned how to paint differently, studied other artists and learned the NYC art scene.

The New York Studio School unfortunately relies way too much on it’s past esteem. I would highly recommend participating in one of the many «Marathon’s» the school is known for and offers each semester however I would discourage anyone contemplating the MFA or Certificate Program from doing so. Expensive and still not nationally accredited, this school has less than par studio conditions. Bad ventilation in many of the overcrowded work studios and several abusive long time staff members detract from any positive experience. Another problem is the atelier teaching method with few expceptions often corrupts individual talent resulting in work that looks very similar. If you are seeking studio space in NYC there are cheaper options and better MFA programs in the area. Despite all of this there are some extrordinary artists who teach there — but in my opinion — definitely not worth the price of admission.