Peppermint Park Records-Music-Studios

Kann ich auch nur weiterempfehlen. Tolle Location, klasse, sehr nette Jungs. Mousse ist auch ein super netter.
Ein sehr prof. Tonstudio in Hannover auf dem Expo — Gelände.
Inhaber Mousse T. Musik Produzent (Sexbomb, Tom Jones)
Fury in the Slaughterhouse, (Time to wonder) hat einige Ihrer Songs auch dort Produziert.
CONTROL ROOM
80 sqm, daylit, fully airconditioned, seperate machine-​room
CONSOLE
Solid State Logic SL 4064 E, 48 Channels, G-​series Studio Computer with Total Recall, Producer Desk
MULTITRACKING
2x Tascam ATR 80 – 24, 2, 24-​Track, Synchronizer Adams Smith ZETA Three EM, Pro Tools HD 3 Accel incl. 3x Digidesign 192 I/​O Interface (up to 48 INS, 48 OUTs)
MASTERING
2x DAT Panasonic SV 3800, Telefunken M21 m. Dolby SR
MONITORING
Quested 215, Softdome, Genelec 1031 A, Yamaha NS-​10, Magis Audiobau
RECORDING ROOM
128sqm, daylit, two seperate vocal boothes
INSTRUMENTS
Yamaha Grand Piano (MIDI-​controlled), Yamaha DX7-​II, E-​max, Roland Juno 106, Roland JD 800, JX-​8P, Clavia Nord Lead 2, Akai S 1000, S 1100, S 6000, Hammond B3, Mellotron, Hohner E7, Fender Rhodes etc., Marshall Amps and Cabinets, Mesa/​Boogie QUAD Preamp, Vox-​Amps, Fender, Gibson /​Valley Arts Guitars
PROGRAMMING
Apple PowerMac G5, Pro Tools HD 3 Accel, Emagic Logic Pro, various Plg-​Ins (TDM)
OUTBOARD
Lexicon 480 L /​Larc, Lexicon PCM 70, Lexicon 300, T.C. 2290 delay, Intelliverb, Korg A1, Dynacord DRP-20,Yamaha SPX 1000, Eventide Harmonizer 3000 SE, Korg SDD-​2000, Space Station, B.A.S.E. Prozessor, Klark Technik DN 700 Delay Line, BBE Sonic Maximizer, Urei 1178, Urei 1176, Teletronix LA-​2A, Drawmer DS 201, Glockenklang Double-​Two S T.C. Finalizer, BSS DRP 402, UA M610 Preamp, SPL Transient Designer, SPL Qure, Chandler Limited TG 1, Chandler Limited TG 2, Empirical Labs Distressor, SSL Stereo Compressor, Manley Massive Passive
MICROPHONES
Neumann (U47, U47 fet i, M50, TLM 170, U87, KM54), Sennheiser, AKG, Shure, Beyerdynamic, Electrovoice, Brauner (Valvet/​VM 1u), Microtech-​Gefell
LG plan. b photography